How Liminalism Became the Defining Aesthetic of Our Time

“This crowd-curated digital movement is one of the most pertinent and explicit reactions to our particular slice of dystopian late capitalism.”

“The placelessness of Liminalism — these spaces could notably be anywhere — flattens experience in the same way that digital homogenization obliterates distance. Anonymity, alienation, and anxiety are now the bywords of our age, and Liminalism is the ultimate expression of that trinity.”

“In Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures (2014), critical theorist Mark Fisher describes the generational affliction of being “walled off from the lifeworld, so that … inner life — or inner death — overwhelms everything,” where there is “nothing but the inside, but the inside is empty.” It’s an apt summation of Liminalism — the visual accompaniment to neoliberalism, post-industrialization, early apocalypse, whatever you want to call it, as silent and dark as an abandoned shopping mall. “