Two doodles from Netarts Oregon from the past weekend. Can’t wait to go back.
Doodle
The light was hitting this tree in an interesting way this morning.
Beauty over efficiency - Kuska Atelier
“There are things more important to offer the world than relentless scale and output. This is an example of a business that has chosen a new currency and that currency is Beauty.”
Hell yeah. Need more of this.
How Noble & Cooley's are made.
Beautiful drums. Never have been fortunate to own one of these…
Why Nothing Looks Cool Anymore
Boring tech bro and the algorithm.
How Liminalism Became the Defining Aesthetic of Our Time
“This crowd-curated digital movement is one of the most pertinent and explicit reactions to our particular slice of dystopian late capitalism.”
“The placelessness of Liminalism — these spaces could notably be anywhere — flattens experience in the same way that digital homogenization obliterates distance. Anonymity, alienation, and anxiety are now the bywords of our age, and Liminalism is the ultimate expression of that trinity.”
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“In Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures (2014), critical theorist Mark Fisher describes the generational affliction of being “walled off from the lifeworld, so that … inner life — or inner death — overwhelms everything,” where there is “nothing but the inside, but the inside is empty.” It’s an apt summation of Liminalism — the visual accompaniment to neoliberalism, post-industrialization, early apocalypse, whatever you want to call it, as silent and dark as an abandoned shopping mall. “
Sign in The Lost Segment That Was Finally Recovered | Heavy Metal (1981)
This was the holy grail of VHS tapes back in the day. Probably followed closely by “Slacker” when that first came out.
Get to know your Portland Peoples. James Beard Documentary.
“Today’s American food movement can be traced back to one man: cookbook author, journalist, television celebrity and teacher James Beard.”
Also, born in Portland, Oregon!
The Thousand Faces of Cassian Andor
“Hollywood script doctor Tony Gilroy had finally decided to write his friend Kathleen Kennedy, the president of Lucasfilm, a long-overdue letter; one that took the experiment that he, Gareth Edwards, and the cast and crew of Rogue One had started years ago to the next level. A radical pitch that framed the Star Wars Galaxy as the backdrop for a story about a revolutionary in-the-making, set upon a collision-course with history, destiny, and the unrelenting forces of Imperial oppression.”
1970 - Berkeley Protest Poster
Poster adaptation: “Tōfu-kozō (tofu boy)” yōkai
Found this cool little dude looking up old wood prints and figured I’d spin out a band poster from it. It’s a “Tōfu-kozō (tofu boy)” yōkai which could easily be a skateboard graphic from the 80s. Super fun.
They are generally depicted wearing bamboo and kasa on their heads, and possessing a round tray with a momiji-dōfu on it (a tōfu with a momiji (autumn leaf) shape pressed into it[6]). The patterns on the clothing they wear, for the sake of warding off smallpox, include lucky charms such as harukoma (春駒), daruma dolls, horned owls, swinging drums, and red fish, and sometimes lattice patterns of the child that shows its status as a child can also be seen.”
"What is the point in making art when AI exists?"
“You know, you could do so many things like build a fence or spray some bleach on a cyber truck or any number of other more useful things, but instead you chose poorly and became an artist.”
Cat cat catcat
Vanessa Stockard aka Derek Milkwood (Australian, b. 1975, Sydney, Australia) - It Fell (By Itself), 2024, Paintings: Oil
Astoria Sunset in 4K 60p — OPB’s Slow TV
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Why 90s Movies Feel More Alive Than Anything on Netflix
“There's something about the way older films were crafted that modern cinema seems to have lost. Take Goodfellas from 1990. Scorsese doesn't just tell you a story about mobsters, he pulls you into their world. The tracking shot through the Copacabana, the narration that feels like a conversation, the way violence erupts suddenly and brutally. You feel the seduction of that lifestyle and the paranoia that comes with it. Every frame has purpose. Every scene builds character. Compare that to The Irishman from 2019, which is actually good but feels bloated, overly long, relying too heavily on “de-aging” technology that never quite convinces you.
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I think the difference comes down to this: older movies took risks. They trusted audiences to pay attention, to feel something, to think. Scorsese and Tarantino had visions and the freedom to execute them without endless studio interference. They weren't chasing demographics or worrying about franchise potential. They were making films, not products.”
More Pics From Yachats
Just wanted to take a few more of my phone snaps and post up here from our trip this past weekend to Yachats. These are just from the a old iPhone which has made me do some research on the new cameras coming out in the 17. Kinda interested from a RAW file perspective.
How Star Wars Andor Reframed the Star Wars Myth
If you are looking for a 4 hour take on Andor during this heat….
The Theremin!
Full disclosure, one of my bands has a lot of theremin in it ;)
“Eyck agrees that the sight of a human body manipulating invisible electromagnetic fields adds to the theremin’s otherworldly aura. The fact that it sounds like nothing so much as an unhinged soprano – listen again to the original Star Trek theme – adds to the unsettling effect.
“You don’t tune it to the A from the piano, but you tune it to your own body and to the surroundings,” she says, citing something called “body capacitance”. In this way the instrument is unique, “except for the voice, but that’s inside you”.
“With its sci-fi antennae bristling left and right, Russian physicist Leon Theremin’s novel invention of 1919 remains the only musical instrument you play without touching anything. “Aerial fingering” was the technique devised by the inventor’s original Lithuanian prodigy, Clara Rockmore, in the 1930s.”