“There's something about the way older films were crafted that modern cinema seems to have lost. Take Goodfellas from 1990. Scorsese doesn't just tell you a story about mobsters, he pulls you into their world. The tracking shot through the Copacabana, the narration that feels like a conversation, the way violence erupts suddenly and brutally. You feel the seduction of that lifestyle and the paranoia that comes with it. Every frame has purpose. Every scene builds character. Compare that to The Irishman from 2019, which is actually good but feels bloated, overly long, relying too heavily on “de-aging” technology that never quite convinces you.
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I think the difference comes down to this: older movies took risks. They trusted audiences to pay attention, to feel something, to think. Scorsese and Tarantino had visions and the freedom to execute them without endless studio interference. They weren't chasing demographics or worrying about franchise potential. They were making films, not products.”