Conscientious Extended | On Process

A good photograph is a good photograph in such a way that the process itself might be an integral part of it, but it’s not the focal point. In other words, the moment you can almost separate out the image from the process - just like you’d think about Hipstamatic as picture plus filter - you’re in trouble: Suddenly, the process itself becomes part of what is being evaluated. But who cares whether it took you three days to make a picture or whether you got that great picture seeing something and then snapping it very quickly?

In photoland, the cult of process is tied to the cult of work. It’s almost as if the more physical and technical effort you put into a photograph, the better it is, or rather: the more we have to admire it. But why would we?

 

This is one of the issues I have all the time.  It's not about the process, it's about the image.  Many times I will get into discussions about the work I do and someone will snarkily ​say, "It's all done in post, the photographer does not matter!" Which is so far from the truth that now-a-days I either get a bit offended or just dismiss the person outright as uneducated. It sounds a bit harsh, but I am over that statement.  The difference between a well composed, beautifully lit, perfectly timed shot and a careless "one off" has huge repercussions for what I can do with it in post. 

Source: http://jmcolberg.com/weblog/extended/archi...

Lucas Samaras

For more than a decade, each new Polaroid product prompted Samaras to embark on a fresh suite of experiments. Panorama belongs to a series he began in 1982. For each image the artist made several eight-by-ten-inch Polaroids of a single figure. He then cut each print into strips of equal width and reassembled them to create an elongated hybrid image. This simple technique stretches the figure as a fun-house mirror would, yielding the quality of theatrical fantasy that permeates all of Samaras's work.

LS: I think even at a young age I became aware that two kinds of fame were available: One is the kind you get from building this great church; the other is the kind you get from burning it down.

Zeke Berman

Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work, and his sculptural use of materials is varried, original and idiosyncratic. 

Some selected works from Zeke Berman, fine art photographer.​

Gregory Crewdson movie

Brief Encounters Trailer

Big fan of his work, would love to track this down to watch.  Can't belive I just found it today.  I feel like I must have been living under a rock.

Great creative GIF tumblr.

My name is Marinus and I’m a 28-year-old from Dutchland. (sometimes referred to as the Netherlands)
I didn’t know this when I started this blog, but apparently I make GIFs. Most of them are of wildlife and things I find funny or interesting. -Head Like a Orange

Great GIF blog.  Very creative use of GIFs.

desretratos - lucas simões

In this series of works I invited intimate friends over to tell me a secret as I took their portrait. However, my intention was not to hear their secret, but to capture the expressions of each one at the moment they revealed their secret. I also asked each one to choose a song for me to listen to in my ear phones while I photographed them. And, after the photo session, I asked each one if the secret had a color, and these are the colors the portraits carry. From this photo shooting session I chose 10 different portraits to cut and overlap. -
10 cut-out photographs and acrylic sheets

Source: http://www.lucassimoes.com.br/desretratos